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âHymn For Her smash through the highway guardrails and land in a carnival on a hot air balloon. Float away with them on their new releaseâ
Pop-N-Downers
Hymn For Her are returning with an addition to their line up. During Covid, they had a show for a year called Singalong Sundays. If you caught it online, you would have heard a spontaneous performance of family fun and good times.
With daughter Diver on piano and puppy Figaro on yips and yodels, they kept the music flowing, while working on new recordings in a tiny shed off the coast of Maine.
Lift your spirits and join them on their European summer tour 2024. Hey, itâs a family affair.
SWAMPVILLE, Florida â Ever since Lucy Tight and Wayne Waxing joined their romantic and musical fortunes together, hooked their home to a trailer hitch and drove off to look for as many of Americaâs music-loving pockets as they could find, the duo known as Hymn for Her has been living many adventures, one stop at a time. Their red-hot blend of roots music â and ferocious live shows â have also carried them to locales around the globe, attracting fans everywhere they go. With Pop-N-Downers (out on October 5, 2018), theyâre ready to reach even more.
Their troubadour lifestyle has provided creative inspiration for several albums, earning the dynamic duoattention from a variety of roots radio stations and international music festivals. This new set of songs is seemingly inspired by travels far beyond Americaâs shores. âWe never have an intent for where the music goes,â says Lucy. âSongs definitely forge their own path each time we record.â
Mingling textures and tones far removed from the âhayride to hellsyâ twang-rock blast of their 2016 release, Drive Til U Die, the songs on Pop-N-Downers simultaneously exude sophistication and a charming, childlike whimsy. A colorful TropicĂĄlia vibefloats through several of these tunes, imbuing them with a lightness of being even when the lyrics turn heavy.
The album unfolds with the lush, full sound of âBlue Balloons,â which evokes Sgt. Pepperâs in its sweet harmonies, theatrical presence and pointed lyrics. ââBlue Balloonsâ gets its life from the joy and sorrow we experience on our travels,â Lucy says. âWe hope future generations can find the beauty in a world spinning out of control.â
Theyâve searched for beauty in many exotic spots, including the Mediterranean coast, which inspired the Spanish-flavored âRoses.â âWe were busking in the streets with our baby daughter strapped to our back, wondering if this would be a good place to live,â Lucy recalls. âWeâre always open to change.â
âDingle Town,â influenced by Hymn for Herâs recent tour of Ireland, slams together the drone of bluegrass and Celtic modalities with blues harmonica, crunchy guitar, handclaps, foot stomps, âbang-oâ (a drummed-upon banjo) and whatever else they could wedge into its sonic soundscapes. Lucy plays banjo/bang-o and cigar-box guitar simultaneously on this one.
Echoes of Brazilian chanteuse Astrud Gilberto can be heard in Lucyâs bossa-nova-inflected scat singing on the earthy love song âNovember.â Ipanemaâs beaches might come to mind in âAuf Wiedersehenâ as the pairâs vocals glide breezily over waves of vibraphone and acoustic guitar. When it came to recording the album, Wayne says, âWe gave ourselves leeway to add a variety of instruments in the studio that we donât usually play at shows.â
The path to Pop-N-Downers starts in Swampville, Florida, where Lucy and Wayne park their Bambi Airstream/mobile recording studio whenever they need to plot their next course. Thatâs where the co-producing couple recorded song demos before heading to Nashville to reunite with Grammy-winning producer Vance Powell (Chris Stapleton, Sturgill Simpson, Jack White), who helmed much of Drive Til U Die, at his Sputnik Sound Studio.
The albumâs character might be best summarized with a description of its sixth track, âFireflies,â a lovely, sunny-sounding mid-tempo ballad â with a bite. A similarly airy feel permeates âShallow Graves,â contrasting directly with the disturbing events to which it alludes.
In âHuman Condition,â inspired by Bob Dylan on his Theme Time Radio Hourquoting Thomas Fuller, Hymn for Herâs vocals harmonize with a funky, blues ânâ rockabilly romp: âYouâre born crying/you live complaining/and you die disappointed.â
Then thereâs âScoop,â a lighthearted little groover written in the Sputnik Studio lounge at the last minute. The sessions had just ended, so they recorded it back home at Bambi Studios. Their daughter Diver and her friends chime in on the catchy choruses. Diver also plays the mournful violin heard on the gentle, sadly moving âYard Sale.â And she directly inspired âFirst Clown on the Moon,â a lively, banjo-driven song about love and joy that mashes Barnum & Bailey together with dream pop.
âHer very first career choice was to be the first ballerina on the moon,â Lucy explains. âA day later, she changed it to first clown on the moon.â (Her grandfatherâs fanciful illustration of Diverâs lunar landing appears on the albumâs inner sleeve.) When she was much younger, she covered âItâs Only a Paper Moon,â an unlisted 12th track on Drive Til U Die, recorded in the direct-to-acetate booth at Jack Whiteâs Third Man Records in Nashville.
Just as they freely blend styles, H4H also like to make lyrical leaps, jumping from macro worldview to their own intimate, private universe with the ease of trapeze artists. (Maybe that explains the back-cover image of Lucy â also known on social media as @TourinYogi â playing ukulele while doing a full split as a guitar-plucking Wayne hops over her.) A careful listen to âFirst Clown on the Moonâ reveals references to the albumâs title and mood inside the lines, âItâs not always what it seems/these rollercoaster dreams. Donât mean to pop your balloon/Iâll be cominâ down soon.â
But even when they address the âdownerâ aspects of our human condition, Hymn for Her leaven those messages with buoyant balloons, reminding us we can still dance with the fireflies and smell the roses⊠thorns and all.
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